Friday, April 29, 2011
Rubbing Cocaine In Gums, Still High?
Theory: Text Script
dialog scripts
1. A dash (-) generally serves to indicate both interventions or parliaments of the characters (dialogue script) as subsections of the narrator. In the first case, the script is stuck to the initial word that begins with the parliament, with the indentation of the first line of paragraph (ie, text "input"). In the second case, is preceded by a space when you start the paragraph, and followed by a space when done (the latter script is used only when the item is within the parliament, when at the end should not be closed: see below, paragraph 1.9). These ten examples collect their most common uses:
"I discovered that I have head and I'm starting to read. [1]
"Oh, thanks. Thank you very much for your words, "murmured Jacqueline. [2]
"We are many family-thirds Agostino, and we all work. [3]
"Sure, eventually," said Charlotte with decision, everything will work out. [4]
- Sophie, come back! Stingo, "he insisted. I have to talk to you now. [5]
- What do you understand that? Stephen snapped. Have you read a verse in your life. [6]
"With what I would have liked to write ... She whispered. Poetry. Test. A good novel. [7]
"This can not continue. The thing has gone too far "He stood up, while looking at his hands. I have to get over, to end this madness. [8]
"This can not continue. The thing has gone too far. She stood up, while looking at his hands. I have to get over, to end this madness. [8 bis]
"Yes, my friend, your courage amazes me," she said with aplomb. And after a brief pause, he added: "I admire your blood really cold. [9]
"I know what you're thinking," said the owner, "in red. All do the same. [10]
us comment briefly, point by point, these examples.
1.1. The simplest case is the first. Note simply that the startup script dialog is stuck to the first floor of parliament. Indicate this would be a mistake:
- I found that I have head and I'm starting to read.
1.2. As seen in the second example, the script is considered superfluous closing, and therefore elimination when the paragraph ends with a subsection of the narrator. Indicate this is incorrect:
"Oh, thanks. thank you very much for your words, "murmured Jacqueline.
1.3. In the third example, note that scripts that contain the clause of the narrator are glued to it, not separate from him, but note that also are attached to the parliament of the character. It would therefore be wrong indicate one of two ways:
"We're a lot of family - interjected Agostino - and we all work.
"We are many family-thirds Agostino, and we all work.
1.4. In the fourth example, the comma comes after the word 'long' should go after the phrase, never before. In other words, do not indicate this:
"Sure, eventually," said Charlotte with decision-all work out.
1.5, 1.6, 1.7. In the examples fifth sixth and seventh can be seen containing a point of closure after paragraph of the narrator, even though the character's parliament before the exclamation point lead paragraph, question or ellipses (signs actually do not have proper closing function .) Therefore, these dialogues should not be indicated as follows:
- Sophie, come back! "Stingo" I insisted to talk to you now.
- What do you understand that? "Snapped Stephen" Do not you read a verse in your life.
"With what I would have liked to write ... Poetry, "she whispered. Test. A good novel.
1.8. In the first variant of the eighth example [8] we see that before the narrator does not figure indent point. This choice can be justified on the grounds that, although paragraph has no direct relationship with the dialogue, it is considered an implicit verb dicendi, like, say, add, ask, insist, mediate, and so on. ('"She said and stood up', '" he said rising, "" she said, and, immediately afterwards, rose, etc.)..
But if you consider that the start has no direct relationship with the previous parliament , dialogue can be arranged as indicated in the example [8 a]. Note, the example we offer then we put a period after "away" and that paragraph the narrator begins with a capital.
"This can not continue. The thing has gone too far. She stood up, while looking at his hands. I have to get over, to end this madness.
In any case, with respect to the script end of paragraph, not to be used to point before the hyphen, as in this example (which is therefore wrong):
"This
can not continue. The thing has gone too far. She stood up, while looking at his hands .- I have to get over, to end this madness.
1.9, 1.10. Also in the ninth and tenth examples there is a marked tendency towards unification in the sense that the colon usually appear after the script that closes the paragraph of the narrator. Under this approach, which also has the virtue of simplicity, "ignores this distinction: in the ninth example, the two items belong in the paragraph of the narrator, while in the tenth parliament are part of the character; It clearly seen if we suppress subsections:
"Yes, my friend, your courage amazes me. Really admire your coolness.
"I know what you're thinking: in the red. All do the same.
2. When the intervention of a character is available in several paragraphs because of its length from the second paragraph does not need to use scripts but only quotes that follow, we must insist on it-they should not close at the end.
"Yes." Because I had raised before. He had not wanted to. The details then acquired a incredible importance. I was stunned to meet again in New York, frankly. I felt like a stranger, as if that was not my city.
"When we arrived at Hammond Hill were all there in the room. And the same anxiety I had felt before was repeated at the time with my brothers and my sister. I never tired of watching them. Also saw them as strange, as if it were my own flesh ...
And remember what I say. You asked me to tell you about it and that's what I'm doing. We met each other and talk to mom and dad, who had organized the meeting as if it were a conference. The only thing missing were cards on the lapels.
2.1. We will also use this type of quotes whenever a dialog displayed within a dialogue, but in this case, after the quotes (which is not close) the script itself should be concerned.
"The story of Arthur and Rachel would even be funny if it were not so tragic. They made one meal a day until he came up with the idea. And I remember perfectly, "Jacques went on to explain the conversation I had:
" "Stop complaining," said he. I know how we can eat.
"- How? She asked, astounded.
"Very simple," he replied. Go to the Maternity and tell them you're pregnant. Give you food and do not ask anything.
"- But I'm not pregnant! She shrieked.
"- what? "He replied. Just a pillow or two. It is our last chance and we can not miss.
Note that the items of the characters whose conversation Jacques van also transcribed scripts, instead of opening and closing quotation marks every time. In these cases, sacrificed standard to superior clarity of exposition, since the risk of confusion is minimal (see Section 3). We believe this provision is simpler than below, made from Latin and English quotation marks, which come to collect no less than three (,"¿):
punctuation
"" Quit complaining, "he said." I know how we can eat. "
" "How?" she asked, astounded.
And this not to mention questions about whether the point of the first parliament should go before or after the quotation marks, if we wanted to unify the second part of parliament, which end with a quotation mark ("Quit complaining," he said.)
3. In the dialogues, the items that apply to the character who is speaking must be enclosed in parentheses, not among scripts, it could be confused with a subsection of the narrator (the second example shows the wrong way mark):
"That night I dreamed (or so I recall) that you paseabais Teresa and along the lake, confessed restless Miguel.
"That night I dreamed-or so I recall, that Teresa and you ...
4. You may start a dialogue with ellipses and lowercase initial. This occurs when a character picks up a conversation interrupted by the parliament of another character. Note, in the third example, that the dots are glued to the script, and therefore separated from the first word of dialogue ("y"):
"Depends on how you interpret his words," Miss Fischer unsafe -. I mean when a girl can not bring you butter a man without blushing to the ears ...
"I fully understand his embarrassment Rough-cut with Miss Pearl.
-... and when he thanked and then asks if you want a cookie as if he were the family doctor ... I do not know if you know what I mean.
5. It is an unacceptable error use over a work of fiction, quotes the opening and closing, which appear systematically in Anglo-Saxon works, German and often, but not always, in Italian, instead of hyphens. Quotation marks should be reserved for loose dialogues that appear within a long description of the narrator.
5.1. If the use of dashes instead of quotation marks sum was excessive fidelity to the original typeface, the result can be theoretically unjustifiable and contrary to all rules (see the example below, the curious way (wrong) to introduce dicendi verbs that appear in lowercase if they are preceded by point .) The fragment that we offer is taken from the latest English-best, literarily speaking, from the novel by William Faulkner The Sound and the Fury (1987):
"It's too cold." Versh said. "Do not you go out."
"What happens now." Mother said.
"He wants to leave." Versh said.
"Let go." Uncle Maury said.
"It's too cold." Mother said. "It is better to stay inside. Benjamin. Come on. Shut up. "
5.2. Nor should it. Followed the provision that often appear on French works, a curious mixture of quotation marks, commas and hyphens: the first parliament begins with quotation marks are used in subsequent scripts and dialogue generally closed again with quotes:
"n'Ai pas Je te voir send to comme une étrangère.
-Tu aimes mieux ne pas du tout voir me?, insistai-je.
-ce soit Mettons that ça », dit-il séchement.
6. Contrary to what often happens in Anglo-Saxon and Italian works, the dialogues in fiction will usually full stop (except, of course, they are short and go within a paragraph it is preferable not to split, see point 5) . Note-and this rule should be followed seamlessly-that quotes that appear in the original dialogues systematically replaced by hyphens, as already mentioned.
This is the original English:
For herself, Jane wanted to find out diplomatically, before asking straight out, whether the blue suit was here or whether it had gone off too. «I thought I saw John,» she said. «Dashing out of the Post Office. What was he wearing?» «A raincoat,» said Martha. «And that good-looking blue suit?» persisted Jane. «Why, yes, I think so", said Martha. «Yes, he was,» she added, more positively. Jane caught her breath. «How long is he going to he gone?» «Just today,» said Martha. ~He has to see somebody for dinner. He'll be back late tonight. «Oh,» said Jane.
Y ésta la versión castellana:
Jane quería discover diplomacy, without asking directly if the blue suit was there or had disappeared.
"I think I've seen John," he said as he left the post office. What was it he was wearing? [1]
-A waterproof, "said Martha.
- And that beautiful blue suit? 'Said Jane.
"Well, yes, I think so," said Martha, and then said confidently: Yes, I was wearing. [2]
Jane gasped: [3]
- How long will it be?
"Just today," said Martha. You have to have dinner with someone. Arrive tonight, late.
"Oh," replied Jane.
See paragraphs marked with [1], [2] and [3], the freedoms with regard to the score takes the translator (with extensive knowledge, by the way). His version is certainly more fluid than the score is too close to the original English, like this:
"I think I've seen John," he said. As he left the post office.
"Yes, I think so," said Martha. Yes, I had, "he said after safely.
Jane gasped.
Note that in paragraph [1] removed the point and wins sentence fluency, in [2] are unified in a single paragraph of two interventions of Martha, and [3] replaces item end by two points, to clarify the character speaks.
6.1. Except in special cases, the rule of paragraph 6 should be followed strictly when several characters speaking: dialogues put one after another, even with scripts, is confusing and unnecessarily complicated reading. See this example, part of the novel The Group, Mary McCarthy (1966):
Libby put overly thoughtful. Put a finger to his forehead. "I think so," he said, nodding thrice. Do you think really ...? "Began promptly. Lakey flagged down a taxi with his hand. -Kay's cousin left in the shadows, hoping that some of us will provide something better. - Lakey! Dottie muttered, shaking his head reproachfully. "Wow," Lakey said Libby falsetto laugh, "only you can you think of these things.
6.2. The full stop is also often used in cases where paragraph the narrator begins with a verb dicendi and continues after point, with a text of considerable length (for example, a description of the characteristics of the character speaking, a clarification on where the action takes place, or clarification of various kinds). See example:
"It's okay," said Arthur.
was dressed in a shirt and sports shorts and sandals wearing garden. Dressed in this way, the agent even more fascinated with whom he had met in June, the day he rented the house. Arthur, it seemed mysterious and strong. His face was brought to mind salt, wind, foreign women, loneliness and sun.
Source: Free Writing workshop Axxón 
dialog scripts
1. A dash (-) generally serves to indicate both interventions or parliaments of the characters (dialogue script) as subsections of the narrator. In the first case, the script is stuck to the initial word that begins with the parliament, with the indentation of the first line of paragraph (ie, text "input"). In the second case, is preceded by a space when you start the paragraph, and followed by a space when done (the latter script is used only when the item is within the parliament, when at the end should not be closed: see below, paragraph 1.9). These ten examples collect their most common uses:
"I discovered that I have head and I'm starting to read. [1]
"Oh, thanks. Thank you very much for your words, "murmured Jacqueline. [2]
"We are many family-thirds Agostino, and we all work. [3]
"Sure, eventually," said Charlotte with decision, everything will work out. [4]
- Sophie, come back! Stingo, "he insisted. I have to talk to you now. [5]
- What do you understand that? Stephen snapped. Have you read a verse in your life. [6]
"With what I would have liked to write ... She whispered. Poetry. Test. A good novel. [7]
"This can not continue. The thing has gone too far "He stood up, while looking at his hands. I have to get over, to end this madness. [8]
"This can not continue. The thing has gone too far. She stood up, while looking at his hands. I have to get over, to end this madness. [8 bis]
"Yes, my friend, your courage amazes me," she said with aplomb. And after a brief pause, he added: "I admire your blood really cold. [9]
"I know what you're thinking," said the owner, "in red. All do the same. [10]
us comment briefly, point by point, these examples.
1.1. The simplest case is the first. Note simply that the startup script dialog is stuck to the first floor of parliament. Indicate this would be a mistake:
- I found that I have head and I'm starting to read.
1.2. As seen in the second example, the script is considered superfluous closing, and therefore elimination when the paragraph ends with a subsection of the narrator. Indicate this is incorrect:
"Oh, thanks. thank you very much for your words, "murmured Jacqueline.
1.3. In the third example, note that scripts that contain the clause of the narrator are glued to it, not separate from him, but note that also are attached to the parliament of the character. It would therefore be wrong indicate one of two ways:
"We're a lot of family - interjected Agostino - and we all work.
"We are many family-thirds Agostino, and we all work.
1.4. In the fourth example, the comma comes after the word 'long' should go after the phrase, never before. In other words, do not indicate this:
"Sure, eventually," said Charlotte with decision-all work out.
1.5, 1.6, 1.7. In the examples fifth sixth and seventh can be seen containing a point of closure after paragraph of the narrator, even though the character's parliament before the exclamation point lead paragraph, question or ellipses (signs actually do not have proper closing function .) Therefore, these dialogues should not be indicated as follows:
- Sophie, come back! "Stingo" I insisted to talk to you now.
- What do you understand that? "Snapped Stephen" Do not you read a verse in your life.
"With what I would have liked to write ... Poetry, "she whispered. Test. A good novel.
1.8. In the first variant of the eighth example [8] we see that before the narrator does not figure indent point. This choice can be justified on the grounds that, although paragraph has no direct relationship with the dialogue, it is considered an implicit verb dicendi, like, say, add, ask, insist, mediate, and so on. ('"She said and stood up', '" he said rising, "" she said, and, immediately afterwards, rose, etc.)..
But if you consider that the start has no direct relationship with the previous parliament , dialogue can be arranged as indicated in the example [8 a]. Note, the example we offer then we put a period after "away" and that paragraph the narrator begins with a capital.
"This can not continue. The thing has gone too far. She stood up, while looking at his hands. I have to get over, to end this madness.
In any case, with respect to the script end of paragraph, not to be used to point before the hyphen, as in this example (which is therefore wrong):
"This
can not continue. The thing has gone too far. She stood up, while looking at his hands .- I have to get over, to end this madness.
1.9, 1.10. Also in the ninth and tenth examples there is a marked tendency towards unification in the sense that the colon usually appear after the script that closes the paragraph of the narrator. Under this approach, which also has the virtue of simplicity, "ignores this distinction: in the ninth example, the two items belong in the paragraph of the narrator, while in the tenth parliament are part of the character; It clearly seen if we suppress subsections:
"Yes, my friend, your courage amazes me. Really admire your coolness.
"I know what you're thinking: in the red. All do the same.
2. When the intervention of a character is available in several paragraphs because of its length from the second paragraph does not need to use scripts but only quotes that follow, we must insist on it-they should not close at the end.
"Yes." Because I had raised before. He had not wanted to. The details then acquired a incredible importance. I was stunned to meet again in New York, frankly. I felt like a stranger, as if that was not my city.
"When we arrived at Hammond Hill were all there in the room. And the same anxiety I had felt before was repeated at the time with my brothers and my sister. I never tired of watching them. Also saw them as strange, as if it were my own flesh ...
And remember what I say. You asked me to tell you about it and that's what I'm doing. We met each other and talk to mom and dad, who had organized the meeting as if it were a conference. The only thing missing were cards on the lapels.
2.1. We will also use this type of quotes whenever a dialog displayed within a dialogue, but in this case, after the quotes (which is not close) the script itself should be concerned.
"The story of Arthur and Rachel would even be funny if it were not so tragic. They made one meal a day until he came up with the idea. And I remember perfectly, "Jacques went on to explain the conversation I had:
" "Stop complaining," said he. I know how we can eat.
"- How? She asked, astounded.
"Very simple," he replied. Go to the Maternity and tell them you're pregnant. Give you food and do not ask anything.
"- But I'm not pregnant! She shrieked.
"- what? "He replied. Just a pillow or two. It is our last chance and we can not miss.
Note that the items of the characters whose conversation Jacques van also transcribed scripts, instead of opening and closing quotation marks every time. In these cases, sacrificed standard to superior clarity of exposition, since the risk of confusion is minimal (see Section 3). We believe this provision is simpler than below, made from Latin and English quotation marks, which come to collect no less than three (,"¿):
punctuation
"" Quit complaining, "he said." I know how we can eat. "
" "How?" she asked, astounded.
And this not to mention questions about whether the point of the first parliament should go before or after the quotation marks, if we wanted to unify the second part of parliament, which end with a quotation mark ("Quit complaining," he said.)
3. In the dialogues, the items that apply to the character who is speaking must be enclosed in parentheses, not among scripts, it could be confused with a subsection of the narrator (the second example shows the wrong way mark):
"That night I dreamed (or so I recall) that you paseabais Teresa and along the lake, confessed restless Miguel.
"That night I dreamed-or so I recall, that Teresa and you ...
4. You may start a dialogue with ellipses and lowercase initial. This occurs when a character picks up a conversation interrupted by the parliament of another character. Note, in the third example, that the dots are glued to the script, and therefore separated from the first word of dialogue ("y"):
"Depends on how you interpret his words," Miss Fischer unsafe -. I mean when a girl can not bring you butter a man without blushing to the ears ...
"I fully understand his embarrassment Rough-cut with Miss Pearl.
-... and when he thanked and then asks if you want a cookie as if he were the family doctor ... I do not know if you know what I mean.
5. It is an unacceptable error use over a work of fiction, quotes the opening and closing, which appear systematically in Anglo-Saxon works, German and often, but not always, in Italian, instead of hyphens. Quotation marks should be reserved for loose dialogues that appear within a long description of the narrator.
5.1. If the use of dashes instead of quotation marks sum was excessive fidelity to the original typeface, the result can be theoretically unjustifiable and contrary to all rules (see the example below, the curious way (wrong) to introduce dicendi verbs that appear in lowercase if they are preceded by point .) The fragment that we offer is taken from the latest English-best, literarily speaking, from the novel by William Faulkner The Sound and the Fury (1987):
"It's too cold." Versh said. "Do not you go out."
"What happens now." Mother said.
"He wants to leave." Versh said.
"Let go." Uncle Maury said.
"It's too cold." Mother said. "It is better to stay inside. Benjamin. Come on. Shut up. "
5.2. Nor should it. Followed the provision that often appear on French works, a curious mixture of quotation marks, commas and hyphens: the first parliament begins with quotation marks are used in subsequent scripts and dialogue generally closed again with quotes:
"n'Ai pas Je te voir send to comme une étrangère.
-Tu aimes mieux ne pas du tout voir me?, insistai-je.
-ce soit Mettons that ça », dit-il séchement.
6. Contrary to what often happens in Anglo-Saxon and Italian works, the dialogues in fiction will usually full stop (except, of course, they are short and go within a paragraph it is preferable not to split, see point 5) . Note-and this rule should be followed seamlessly-that quotes that appear in the original dialogues systematically replaced by hyphens, as already mentioned.
This is the original English:
For herself, Jane wanted to find out diplomatically, before asking straight out, whether the blue suit was here or whether it had gone off too. «I thought I saw John,» she said. «Dashing out of the Post Office. What was he wearing?» «A raincoat,» said Martha. «And that good-looking blue suit?» persisted Jane. «Why, yes, I think so", said Martha. «Yes, he was,» she added, more positively. Jane caught her breath. «How long is he going to he gone?» «Just today,» said Martha. ~He has to see somebody for dinner. He'll be back late tonight. «Oh,» said Jane.
Y ésta la versión castellana:
Jane quería discover diplomacy, without asking directly if the blue suit was there or had disappeared.
"I think I've seen John," he said as he left the post office. What was it he was wearing? [1]
-A waterproof, "said Martha.
- And that beautiful blue suit? 'Said Jane.
"Well, yes, I think so," said Martha, and then said confidently: Yes, I was wearing. [2]
Jane gasped: [3]
- How long will it be?
"Just today," said Martha. You have to have dinner with someone. Arrive tonight, late.
"Oh," replied Jane.
See paragraphs marked with [1], [2] and [3], the freedoms with regard to the score takes the translator (with extensive knowledge, by the way). His version is certainly more fluid than the score is too close to the original English, like this:
"I think I've seen John," he said. As he left the post office.
"Yes, I think so," said Martha. Yes, I had, "he said after safely.
Jane gasped.
Note that in paragraph [1] removed the point and wins sentence fluency, in [2] are unified in a single paragraph of two interventions of Martha, and [3] replaces item end by two points, to clarify the character speaks.
6.1. Except in special cases, the rule of paragraph 6 should be followed strictly when several characters speaking: dialogues put one after another, even with scripts, is confusing and unnecessarily complicated reading. See this example, part of the novel The Group, Mary McCarthy (1966):
Libby put overly thoughtful. Put a finger to his forehead. "I think so," he said, nodding thrice. Do you think really ...? "Began promptly. Lakey flagged down a taxi with his hand. -Kay's cousin left in the shadows, hoping that some of us will provide something better. - Lakey! Dottie muttered, shaking his head reproachfully. "Wow," Lakey said Libby falsetto laugh, "only you can you think of these things.
6.2. The full stop is also often used in cases where paragraph the narrator begins with a verb dicendi and continues after point, with a text of considerable length (for example, a description of the characteristics of the character speaking, a clarification on where the action takes place, or clarification of various kinds). See example:
"It's okay," said Arthur.
was dressed in a shirt and sports shorts and sandals wearing garden. Dressed in this way, the agent even more fascinated with whom he had met in June, the day he rented the house. Arthur, it seemed mysterious and strong. His face was brought to mind salt, wind, foreign women, loneliness and sun.
Source: Free Writing workshop Axxón
Thursday, April 28, 2011
Does Something Dvr Count As A Rating
News
On the subject
Anyway I am a mother "drooling" girl who wants to brag about so I leave a little picture with a very recent purchases designed for the summer.
The small house has already served three months, has grown and gained a lot during the last month and is very cheerful and friendly. It is noted that it has eliminated much all that damn milk took caused him. Now he sleeps much better, laugh constantly, and is a gossip of seven.
hospital, and have results. You still have to wear the device that records your heartbeat and breathing but the number of apneas has fallen. Until you have 6 months did not become a cardiologist and you just need a test to see if it is camaraderie at all.
been hard seeing her lie still, seeing that I was so exhausted that he could scarcely breathe. It has also been hard to know you can not do anything against the deceased in the hospital that you only recognize it "off camera." The important thing is that she is fine and will be a matter of forgetting this time.
of the things that surprised me most is how the food looks, I think wants to go for milk and a spoon to start with but you still have two mesecitos. We are squeals and voices but of course ... is too small. Yes charra now the sides and looks at us, we "speaks" and laughs.
Wednesday, April 27, 2011
How Many Cigarettes In 12.5g
Face Color + The Cro
will 
Until April 30 is open this sample of Santos and the Cro in the House of Culture of Hurlingham. I was the day they opened and I could find with the artists who exhibited their work.
Santos is a very good artist and the CRO is responsible for bringing the first stencil drawings. Teamwork.
Unlike most people, the Cro (Short for "Croquet") do not use the layering technique to add color to their jobs but "filled" with a brush covering the dividing lines and then reapply the stencil and black spray paths are so perfect. ;
One of my favorites: Dia de los Muertos.
will
2nd part.
Tuesday, April 26, 2011
Allergic Reaction To Eye Wax
Vocal Bulgar Squad - Real Feel 2011
Track List:
01.
Intro 02. Those Who Lived It
03. Hip Hop In my eardrums
04. The Road Tour makes perfect
05. Notebook Desahogo
06. Rap
Bullets 07. Carpe Diem Feat Tmclacru
08. A World Out There
09. In The Street Dont Stop Ft Ardillacarok & Hhoponents
10. Memories (With Nardomc)
11. Real Feel
12. No Peace In The Compaz Ft Low Essence (Pape Records)
13. The Ft Ambush & Ckanano 500kl
14. Dirty Mind
15. Let One
16. Outro
http://www.myspace.com/vocalbulgar
Track List: 01.
Intro 02. Those Who Lived It
03. Hip Hop In my eardrums
04. The Road Tour makes perfect
05. Notebook Desahogo
06. Rap
Bullets 07. Carpe Diem Feat Tmclacru
08. A World Out There
09. In The Street Dont Stop Ft Ardillacarok & Hhoponents
10. Memories (With Nardomc)
11. Real Feel
12. No Peace In The Compaz Ft Low Essence (Pape Records)
13. The Ft Ambush & Ckanano 500kl
14. Dirty Mind
15. Let One
16. Outro
http://www.myspace.com/vocalbulgar
How To Get Rid Of Bumps From Eyebrow Waxing
Mc Tribute - From The Streets
00 - Intro
01 - A Good Rapper What
02 - A Lo Xoro
03 - Battle Royal
04 - From the Barrio to El Barrio
05 - Any Given
06 - Puto Novato
07 - Pa 'Los Fashion
08 - For Your Love
09 - Chico De La Calle
10 - Between joy and sorrow
11 - To My Mother
12 - Years
00 - Intro 01 - A Good Rapper What
02 - A Lo Xoro
03 - Battle Royal
04 - From the Barrio to El Barrio
05 - Any Given
06 - Puto Novato
07 - Pa 'Los Fashion
08 - For Your Love
09 - Chico De La Calle
10 - Between joy and sorrow
11 - To My Mother
12 - Years
Pokemon Red For Laptop
Touch Sinister - Night Vision Volume 1 (2011)
TOUCH LOSS
RAPPER ALIAS MANSAMAFU CHILEAN BORN IN 1981 AND RAISED IN PEDRO AGUIRRE CERDA
WAVE INFLUENCED BY HIP HOP THAT CAME TO CHILE 93 94
AROUND 10 YEARS AFTER I managed to get 2 DISCS UNDER THE MISSING AND UNDER SEAL RECORDS Manimal YNFERNAL LABEL RECORDS (INDEPENDENT LABEL) WITH THE IDEA TO MAKE PRODUCE MUSIC FOR LOW-INCOME rappers.
IN 2007 MAKE A CALL PROJECT NETWORK SUBVERSION (INYEXION FATAL)
WORK IN 2008 IN THE PRODUCTION OF DISC HEIGHT (catacombs)
WORK IN 2009 IN THE PRODUCTION OF DISCO LOCO PELON (CARTEL DEL SUR)
IN THE 2010 WORKING HARD IN THE PRODUCTION OF DOUBLE ROUND (STATE OF SHOCK)
AND THE SALE TO LIGHT VISION 2011 VOLUME 1 NOCTRUNA THREE LONG-TERM PARTNERSHIPS WITH LOSS OF TOUCH
AS NATIONAL ARTIST JIMMY FERNANDEZ, ORIGIN BEATS, AND ALSO INTERNATIONAL ARTISTS SOMBRA.COMO (BRAZIL, COLOMBIA, MEXICO)
TODAY IS WORKING ON THE SECOND VOLUME OF NIGHT VISION COLLABORATION THAT COMES WITH TOP LEVEL LINK
NIGHT VISION
Download
http://www.mediafire.com/?5w2ylbmqj7qjvce
MORE INFO VISIT: WWW.TOQUESINIESTRO.TK
sinister touch
Night Vision Volume 1 (2011) track list
1 - Prologue
2 - Night Vision sindyclap
3 - game of truth jigsaw
4 to 1 single reality with Rafis - insane -
honor verse 5 - work in the dark with fox moulder
6 - identified with jimmy fernandez - beats origin
7 - to cauro Chiko with franklika GLYO
8 - to put play with sindyclap
9 - my life
10 - dominal with serkyan - height
11 - mother sindyclap - andro - dare
12 - chorizo ampon
13 - mea culpa shaded
14 - gun control and organization
15 - death with Rafis
16 - epilogue
TOUCH LOSS RAPPER ALIAS MANSAMAFU CHILEAN BORN IN 1981 AND RAISED IN PEDRO AGUIRRE CERDA
WAVE INFLUENCED BY HIP HOP THAT CAME TO CHILE 93 94
AROUND 10 YEARS AFTER I managed to get 2 DISCS UNDER THE MISSING AND UNDER SEAL RECORDS Manimal YNFERNAL LABEL RECORDS (INDEPENDENT LABEL) WITH THE IDEA TO MAKE PRODUCE MUSIC FOR LOW-INCOME rappers.
IN 2007 MAKE A CALL PROJECT NETWORK SUBVERSION (INYEXION FATAL)
WORK IN 2008 IN THE PRODUCTION OF DISC HEIGHT (catacombs)
WORK IN 2009 IN THE PRODUCTION OF DISCO LOCO PELON (CARTEL DEL SUR)
IN THE 2010 WORKING HARD IN THE PRODUCTION OF DOUBLE ROUND (STATE OF SHOCK)
AND THE SALE TO LIGHT VISION 2011 VOLUME 1 NOCTRUNA THREE LONG-TERM PARTNERSHIPS WITH LOSS OF TOUCH
AS NATIONAL ARTIST JIMMY FERNANDEZ, ORIGIN BEATS, AND ALSO INTERNATIONAL ARTISTS SOMBRA.COMO (BRAZIL, COLOMBIA, MEXICO)
TODAY IS WORKING ON THE SECOND VOLUME OF NIGHT VISION COLLABORATION THAT COMES WITH TOP LEVEL LINK
NIGHT VISION
Download
http://www.mediafire.com/?5w2ylbmqj7qjvce
MORE INFO VISIT: WWW.TOQUESINIESTRO.TK
sinister touch
Night Vision Volume 1 (2011) track list
1 - Prologue
2 - Night Vision sindyclap
3 - game of truth jigsaw
4 to 1 single reality with Rafis - insane -
honor verse 5 - work in the dark with fox moulder
6 - identified with jimmy fernandez - beats origin
7 - to cauro Chiko with franklika GLYO
8 - to put play with sindyclap
9 - my life
10 - dominal with serkyan - height
11 - mother sindyclap - andro - dare
12 - chorizo ampon
13 - mea culpa shaded
14 - gun control and organization
15 - death with Rafis
16 - epilogue
High Fsh And Dhea Supplements In Men
ArteCostero & CaletaArte - Mi Barrio 2011
playlist: 01 COME SEE
Inspiration 02
HIP-HOP N (FEAT SAIKO RATA)
03 04 TO ABORTION
I stand RAP (FEAT FIRST IMPACT)
APLICANDOL 05 06 E RECHUCHETUMARE
TU FAMA PANORAMA (209 BEAT MUSIC)
07 DO NOT SELL (DBC BEAT FEAT MCBRK)
08 YOU CAN (BEAT HAROLD)
09
GOD ALWAYS ACCOMPANY ME IN YOU DISCOVER
10 11 12
EXPRESSING ME DARK ALLEY (REAL CONSCIENCE FEAT & SEISMIC)
Description:
This is the second album (the first of 2011) that records with creek coastal art art
the first was recorded in 2010 called "the deadly" ... Both groups creek
Higuerillas, concón, Valparaíso, Chile.
This is an original material varied in themes and melodies.
Dedicated to everything that surrounds rap and conscious rap.
most of the tunes were composed by k-is
and production coast study records (SCR).
download link:
http://www.megaupload.com/?d=38BMRRLD
http://www.mediafire.com/?ldjjcdxivz1x7kn
http://www.sendspace.com/file/b2gd1o
playlist: 01 COME SEE Inspiration 02
HIP-HOP N (FEAT SAIKO RATA)
03 04 TO ABORTION
I stand RAP (FEAT FIRST IMPACT)
APLICANDOL 05 06 E RECHUCHETUMARE
TU FAMA PANORAMA (209 BEAT MUSIC)
07 DO NOT SELL (DBC BEAT FEAT MCBRK)
08 YOU CAN (BEAT HAROLD)
09
GOD ALWAYS ACCOMPANY ME IN YOU DISCOVER
10 11 12
EXPRESSING ME DARK ALLEY (REAL CONSCIENCE FEAT & SEISMIC)
Description:
This is the second album (the first of 2011) that records with creek coastal art art
the first was recorded in 2010 called "the deadly" ... Both groups creek
Higuerillas, concón, Valparaíso, Chile.
This is an original material varied in themes and melodies.
Dedicated to everything that surrounds rap and conscious rap.
most of the tunes were composed by k-is
and production coast study records (SCR).
download link:
http://www.megaupload.com/?d=38BMRRLD
http://www.mediafire.com/?ldjjcdxivz1x7kn
http://www.sendspace.com/file/b2gd1o
Diagram Of A Ceiling Fan Motor Parts
AeroMc - IV Branches (2011)
aEroMc - IV INDUSTRIES (2011)
father stolen
TRACK LIST 1 - Intro (Prod. José.M Beat. FatCapStudio, Dj Cidtronick)
father stolen
TRACK LIST 1 - Intro (Prod. José.M Beat. FatCapStudio, Dj Cidtronick)
2 - So it was, So & So be (Beat. Prosistabeats Prod.FatCapStudio & Scracht CidTronick)
3 - This is Father Hurtado (Prod. José.M Beat. FatCapStudio)
4 - Intermc - Mini Mc Mamon (Iker)
5 - Mc `s (Prod. José.M Beat. UrbanProStudio)
6-A Day Like Yesterday (Prod. José.M Beat. FatCapStudio)
7 - I think Jewel (Prod. Shaggi Beat. FatCapStudio)
8 - InterBreack
9 - B-Boy (Prod Beat.Monologo . FatCapStudio)
10 - Feel The Street (Beat ChaloRa! Prod FatCapStudio)
11 - Wake Up (Prod. José.M Beat. FatCapStudio)
12 - InterScracht (Beat. José.M FatCapStudio Prod, Dj Cidtronick )
13 - Dj Sounds (Prod. José.M Beat. FatCapStudio, DJ Cidtronick)
14 - With Cuidao (Prod. José.M Beat. UrbanProStudio)
15-ConecZion (Prod. José.M Beat. Zulu)
16 - InterGraff
17 - Graff Love (Beat. José.M Prod FatCapStudio)
18 - This is Father Hurtado Part.2 (Prod. José.M Beat. FatCapStudio)
19 - Your Movie (Prod. José.M Beat. FatCapStudio)
20 - Outro (Beat. José . M Prod FatCapStudio)
21 - BONUS TRACK'S was Life (Prod. José.M Beat. FatCapStudio)
Web site:
www.myspace.com / fslacrew
www.myspace.com / aerofs
Can I Take An Epilator On Board A Plane
MTS - The New Era ... Active
TRACKLIST:
1 .- Intro 2 .-
One Step From Being Happy
3 .- 4 .- Poesia Oculta
Amor Al Arte
5 .- The Door To The 2 Worlds
6 .- The Secret Interlude
7 .- Evolutionary Renaissance 8 .- My Story
9 .- The New Age
10 .- 11 .- The difference
True HipHop Rapper Camuflao
12 .- 13 .- Outro
TRACKLIST: 1 .- Intro 2 .-
One Step From Being Happy
3 .- 4 .- Poesia Oculta
Amor Al Arte
5 .- The Door To The 2 Worlds
6 .- The Secret Interlude
7 .- Evolutionary Renaissance 8 .- My Story
9 .- The New Age
10 .- 11 .- The difference
True HipHop Rapper Camuflao
12 .- 13 .- Outro
How Long To Freeze Alcoholic Popcicles
South Sound - South Sound Active in 2009
-Name album: South Sound SSA has assets in 2009
-Tracklist:
1 - Intro
2 - My love is true
3 - South Sound Active
4 - I'm back!
5 - How? Drako Ft
6 - Your Lifestyle Sainer Ft
7 - Produce DrSage Rapludio
8 - Bad habit
9 - My son Produce Freskolors
10 - My inspiration
11 - Street and asphalt
12 - Outro Produce Freskolors
-Name album: South Sound SSA has assets in 2009 -Tracklist:
1 - Intro
2 - My love is true
3 - South Sound Active
4 - I'm back!
5 - How? Drako Ft
6 - Your Lifestyle Sainer Ft
7 - Produce DrSage Rapludio
8 - Bad habit
9 - My son Produce Freskolors
10 - My inspiration
11 - Street and asphalt
12 - Outro Produce Freskolors
Best Cocksucker On Sean Cody
Herbs - Bull Shit On The Mic.
YERBA STGO rapper FLORIDA SCHOOL DISTRICT 19 THE HENRY OLVIARES
IN 2006 UNDER MY GROUP 1, LC (the pigs) THEN IN 2009 AS PBT (covenant underground)
AND TODAY WORK WITH MY TWO GROUPS AND ON MY OWN RECORDS
This is my 1 º DISCO BULL SHIT ON THE MIC (bull shit in maicro)
HOPE you like it
ADIOS BENDICIONES
Tracks List:
01_YERBAN - INTRO (BEAT NIGAFASE)
02_YERBAN - BULL SHIT ON THE MIC (T + BEAT WITH 2ble NIGAFASE)
03_YERBAN - REFLEXION
04_YERBAN - WHO IS THIS TYPE SHIT (BEAT Superbia)
05_YERBAN - RELIEF
06_YERBAN - ONLY LOVE (WITH T-ZITA ZOE 2ble JOTARPIA-KNOCK-OUT)
07_YERBAN - HC REVOLUTION (with Drake)
08_YERBAN - MI VOLA
09_YERBAN - TAKE NOTE (WITH 2ble T - Drake)
10_YERBAN - the mind flows (CON 2ble T - KNOCK OUT)
11_YERBAN - TATE EMSILENCIOO!
12_YERBAN - GAY CRY CRY (with Drake)
13_YERBAN - ARTO AND HAVE ME (BEAT PELAOPROD)
14_YERBAN - TE TOMB (CON 2ble T - KNOCK OUT - Drake)
15_YERBAN - FULL WEIGHT (WITH 2ble T - KNOCK OUT)
16_YERBAN - HC IS THERE (WITH THE CREW)
17_YERBAN - UNDER CHILE (to Drake)
18_REPRESENTO (BONUS TRACK)
19_YERBAN - ASI SOMO koncked WITH OUT (BONUS TRACK)
20_EL NEARS END (BONUS TRACKS)
YERBA STGO rapper FLORIDA SCHOOL DISTRICT 19 THE HENRY OLVIARES IN 2006 UNDER MY GROUP 1, LC (the pigs) THEN IN 2009 AS PBT (covenant underground)
AND TODAY WORK WITH MY TWO GROUPS AND ON MY OWN RECORDS
This is my 1 º DISCO BULL SHIT ON THE MIC (bull shit in maicro)
HOPE you like it
ADIOS BENDICIONES
Tracks List:
01_YERBAN - INTRO (BEAT NIGAFASE)
02_YERBAN - BULL SHIT ON THE MIC (T + BEAT WITH 2ble NIGAFASE)
03_YERBAN - REFLEXION
04_YERBAN - WHO IS THIS TYPE SHIT (BEAT Superbia)
05_YERBAN - RELIEF
06_YERBAN - ONLY LOVE (WITH T-ZITA ZOE 2ble JOTARPIA-KNOCK-OUT)
07_YERBAN - HC REVOLUTION (with Drake)
08_YERBAN - MI VOLA
09_YERBAN - TAKE NOTE (WITH 2ble T - Drake)
10_YERBAN - the mind flows (CON 2ble T - KNOCK OUT)
11_YERBAN - TATE EMSILENCIOO!
12_YERBAN - GAY CRY CRY (with Drake)
13_YERBAN - ARTO AND HAVE ME (BEAT PELAOPROD)
14_YERBAN - TE TOMB (CON 2ble T - KNOCK OUT - Drake)
15_YERBAN - FULL WEIGHT (WITH 2ble T - KNOCK OUT)
16_YERBAN - HC IS THERE (WITH THE CREW)
17_YERBAN - UNDER CHILE (to Drake)
18_REPRESENTO (BONUS TRACK)
19_YERBAN - ASI SOMO koncked WITH OUT (BONUS TRACK)
20_EL NEARS END (BONUS TRACKS)
Example Salon Blueprint
Dramah - Collaborations (mixtape 2011)
this mixtape try to show that rap is not a language or a specific area,
that is needed for an expressive invasion fucking lot and not stop while never expand,
try to share a close distance and beat the best possible feeling of a letter
a flow etc.al end of the road the only thing important is the music.
this mixtape try to show that rap is not a language or a specific area, that is needed for an expressive invasion fucking lot and not stop while never expand,
try to share a close distance and beat the best possible feeling of a letter
a flow etc.al end of the road the only thing important is the music.
dramah-partnerships (mixtape 2011)
01-intro mixtape (beat dramah)
02-time (beat internet)
03-shit libre2 ( beat internet)
04-my sorrow (ft gnz & zonah) (beat Hellbound)
05-dramah_clean concience(ft navarro)(beat mr.pee)
06-dramah-noticia(ft verb fromarizona)(beat dannyteks)
07-cold hands(ft stiv)(beat internet)
08-balada noctambula(ft zonah)(beat rhytmund freud)
09-flores mustias(ft stiv)(beat internet)
10-on mind(ft fiam mc)(beat magma)
11-dark magic(ft stgostars-zonah-d.cap & dj twisted)(beat hellbound)
12-lado negativo(demonios sekt)(beat mirthebloody)
13-magma-the quarter(ft eral,dramah,laura oner,j scene,empne,the maniac,superaxion)(beat magma)
14-mortis causa (bs ft-mc-smuk cekuela-sackthos-cianhurock-dialektos-stgostars-demon) (beat stgostars)
15-take care (ft The Jotaka Perverse, Topas, Dramah, Johnny Bonano, Blade & Yut Pira Pura) (dj beat coach)
16-latin killers (NKS & zonah ft) (beat mirthebloody)
mad scientists 17-mix (beat number)
world's 18- Conflicts (Clen, price, dramah & iguana) (beat magma)
19-Fear (dramah, sackthos & stgostars) (beat stgostars)
20-Death Clock (ft Explicit, Jotaka, Dramah, Katha- Rod & Rob dj coach one) (Beat Sounds Of The Soul) 21-
the war continues (ft antraz) (mirthebloody beat remix)
22-dramah-brutaal-stiv (remix) (beat internet)
23 - dramah-difamacioneh to infameh (beat internet) 24-
deceive you (beat dramah)
25-behind the puppet (ft deposited jenkinz-dramah-the-cap jotaka-D) (beat mirthebloody)
26-The earth shakes (ft torner) (beat torner)
27-dramah-traces of time (beat rhytmund freud)
dramah 28-ideas-are not (beat internet)
ConneX 29-Underground ( katha-ft-dramah shinobi kush-iguana) (beat magma)
creep 30-dr-verbal attack (remix ft dramah) (beat mirthebloody)
02-time (beat internet)
03-shit libre2 ( beat internet)
04-my sorrow (ft gnz & zonah) (beat Hellbound)
05-dramah_clean concience(ft navarro)(beat mr.pee)
06-dramah-noticia(ft verb fromarizona)(beat dannyteks)
07-cold hands(ft stiv)(beat internet)
08-balada noctambula(ft zonah)(beat rhytmund freud)
09-flores mustias(ft stiv)(beat internet)
10-on mind(ft fiam mc)(beat magma)
11-dark magic(ft stgostars-zonah-d.cap & dj twisted)(beat hellbound)
12-lado negativo(demonios sekt)(beat mirthebloody)
13-magma-the quarter(ft eral,dramah,laura oner,j scene,empne,the maniac,superaxion)(beat magma)
14-mortis causa (bs ft-mc-smuk cekuela-sackthos-cianhurock-dialektos-stgostars-demon) (beat stgostars)
15-take care (ft The Jotaka Perverse, Topas, Dramah, Johnny Bonano, Blade & Yut Pira Pura) (dj beat coach)
16-latin killers (NKS & zonah ft) (beat mirthebloody)
mad scientists 17-mix (beat number)
world's 18- Conflicts (Clen, price, dramah & iguana) (beat magma)
19-Fear (dramah, sackthos & stgostars) (beat stgostars)
20-Death Clock (ft Explicit, Jotaka, Dramah, Katha- Rod & Rob dj coach one) (Beat Sounds Of The Soul) 21-
the war continues (ft antraz) (mirthebloody beat remix)
22-dramah-brutaal-stiv (remix) (beat internet)
23 - dramah-difamacioneh to infameh (beat internet) 24-
deceive you (beat dramah)
25-behind the puppet (ft deposited jenkinz-dramah-the-cap jotaka-D) (beat mirthebloody)
26-The earth shakes (ft torner) (beat torner)
27-dramah-traces of time (beat rhytmund freud)
dramah 28-ideas-are not (beat internet)
ConneX 29-Underground ( katha-ft-dramah shinobi kush-iguana) (beat magma)
creep 30-dr-verbal attack (remix ft dramah) (beat mirthebloody)
Monday, April 25, 2011
What Does The R Symbol Mean On Pokemon Cards
Santos Paredes Viejas 2
Lemon Old work in 2007 a few blocks from the station of Paso del Rey.
Tuesday, April 19, 2011
Sensor Light Permanently On
Mr. Medina
- Medina Attention! This time you measure wrong, the next do not have to happen.
And the next time was not spent. Mr. Medina
always carried in his pocket tape measure. The sponsor had given it as a kid, because everyone in the family had. The tape was a tradition in the family of Mr. Medina. Some used it better than others but all had it. The father had been a great lawyer, the mother a great teacher, employers had uncles, a cousin journalist and even a distant relative who held a high public office ... and everyone knew mince words. Surely
to see them have learned Mr. Medina, or rather hear them. Because see, what they say do not see anything, unless it was that, before they speak, their hand in the right pocket (where they kept the tape) and thought a while. Were measured.
seems that once they were satisfied with the dimensions of what they were to say, just said it.
At first Mr. Medina was sent their big clubs. Could not be measured without being seen, as did their relatives, so I took out the famous tape and put it
on the table. Then release the word quietly and measured.
For example: THIEF
"Let's see ... an inch and a half ... No, mu long.
And try another:
OFFENDERS "They are two inches and eight millimeters ... {m not as long yet.
seeing:
PILLO
-A-inch and two millimeters ... this could go. Then
said. But at that point had taken so that the person who was talking was boring, or was thinking about something else, or directory was gone. Over time the training given speed and no longer needed to put the words on the table, because he could estimate "by eye", or rather heard, the length they had. It was then when he was given the balancita. Poor Mr. Medina! Neither suspected that her family also use this instrument. The truth is that Medina would be improved. Now, in addition to measuring the words also weighed. And Mr. Medina had to learn. Let's see:
worthless!
-No ... weighs 800 grams, it will not.
Other: USELESS!
- How strange! ... Is less, but weighs the same. This is not going.
Other:
TORPE!
"This is lighter: 470 grams ... but it is still almost half a kilo. Let's find another
:
distracted!
- Ah! It barely weighs 100 grams. Not wrong.
Mr. Medina then used it ... and that was useless hereinafter was happy, thinking it was a hopelessly useless, but just a friendly "distracted."
And Mr. Medina also was happy because everyone thought well of him, held him by a sympathetic type who knew how to treat people with courtesy.
Many admired him for his calm, wisdom and kindness. Of course, nobody knew about the tape and the balance, one in the right pocket, the other on the left. And Mr. Medina, who did not need them out, talking to people with hands in pockets, always measuring and weighing, and earning respect and sympathy of all.
always taking into account the weight and measure, changed "lazy" and "groggy," he said "nasty" instead of "gross" and "carelessness" rather than "dirt." There were long and light words that were always preferable to others that although they were short, they were too heavy.
A day that had nothing to do, Mr. Medina was made very carefully and review your chosen vocabulary and noticed something that, until now, had not noticed: the color of words. He noted that all words used by him were gray. Light gray, dark gray, grayed, grayish. Words were all gray.
And he realized something else: the words were not input gray: it turned gray.
warned that Gray did not blow: they were turning gray.
And finally noticed that I was going gray as the measured, as the heavy.
For example, a red word was turning orange, then yellow and finally blue grisecita ... A word is put blue, pearl white, ash gray, gray.
As always had a problem with that thinking, Mr. Medina went for a walk around the neighborhood. As I was distracted by his thoughts, stepped into the street just as the lights changed to red and a truck driver shouted an expletive long, cumbersome and the same color as the traffic light. When Mr. Medina
rang him the word red in the brain. He had spoken. And he was speechless muttering "insolent" ... "bocasucia", "rude" ... all words livianitas and decidedly gray.
He walked and saw in front of him moving in the opposite direction, a girl with long hair and waving glittering in the sun. The girl was walking funny and fiery eyes beneath a thick eyelashes.
Al crossed with Mr. Medina, Miss narrowed eyelids. His heart jumped and even dared to say the words you chose: "linda", "beautiful." "Precious." Mr. Medina was
red. It seems that none of those words was enough gray.
But another gentleman, who also came down the sidewalk, he said to Miss a word of a blue so intense that she gave him a clear smile can melt a tile. But neither the tile nor Mr. Medina is melted because the smile was not for them. It was for the gentleman who said the word blue.
To make matters worse, a boy held in Place a discussion of all colors become a bad goal ... so they came to the cones and the other eye was left with violet.
top, a little girl running from her mother's hand, takes a fancy to buy the pochoclero and kicking. In the tears you were rainbow and there were so many and so large that it was clear that the baby not measured, nor weighed nothing. Just came out. As I came out just kisses and cuddles to couples who seemed to flourish, like the beds in full color.
Something was definitely wrong for Mr. Medina, and sat in the corner bar, a sidewalk table in the coffee. While waiting to boy began to listen carefully to people passing by. Some spoke in green, purple, yellow, others talked in orange, in French blue, pink.
The only ones talking in gray were those who walked with his hands in his pockets and then Mr. Medina suspected that was what kept them. The only ones talking in gray were measuring.
He took one sip of coffee. The right pocket pulled out the tape measure, pulled out the left pocket balancita, placed on the table and left the waiter a tip.
got up and deliberate pace, headed for the nearest point. He found, in the middle, the statue of who knows whom. He climbed the monument, as high as he could and began to scream with all my heart a lot of words of bright color. They were words long, medium and cortitos, heavy and light. Mr. Medina and had no means with which to measure them and weigh them. So the screaming no idea of \u200b\u200bits weight and length, so the words came out of all colors. Snake in the air with phosphorescent flashes, streamers in the manner of crazy, and some even had sparkles like fireworks. Of course, none was gray.
People began to gather to see and hear the show. People laughed, until WILL KNOW WHO (the the statue) was laughing ... and never stopped.
was not for less! That was an endless litany of excessive words. 
A story by Iris Rivera
Mr. Medina was learning to mince words. He was proud because nobody taught him. Only learned of it was just smart.
's fine not learned quickly or easily. It cost a lot, years ... suffered mistakes cost him, made serious mistakes which led them to regret, but swallowed hard and said:
- Medina Attention! This time you measure wrong, the next do not have to happen.
And the next time was not spent. Mr. Medina
always carried in his pocket tape measure. The sponsor had given it as a kid, because everyone in the family had. The tape was a tradition in the family of Mr. Medina. Some used it better than others but all had it. The father had been a great lawyer, the mother a great teacher, employers had uncles, a cousin journalist and even a distant relative who held a high public office ... and everyone knew mince words. Surely
to see them have learned Mr. Medina, or rather hear them. Because see, what they say do not see anything, unless it was that, before they speak, their hand in the right pocket (where they kept the tape) and thought a while. Were measured.
seems that once they were satisfied with the dimensions of what they were to say, just said it.
At first Mr. Medina was sent their big clubs. Could not be measured without being seen, as did their relatives, so I took out the famous tape and put it
on the table. Then release the word quietly and measured.
For example: THIEF
"Let's see ... an inch and a half ... No, mu long.
And try another:
OFFENDERS "They are two inches and eight millimeters ... {m not as long yet.
seeing:
PILLO
-A-inch and two millimeters ... this could go. Then
said. But at that point had taken so that the person who was talking was boring, or was thinking about something else, or directory was gone. Over time the training given speed and no longer needed to put the words on the table, because he could estimate "by eye", or rather heard, the length they had. It was then when he was given the balancita. Poor Mr. Medina! Neither suspected that her family also use this instrument. The truth is that Medina would be improved. Now, in addition to measuring the words also weighed. And Mr. Medina had to learn. Let's see:
worthless!
-No ... weighs 800 grams, it will not.
Other: USELESS!
- How strange! ... Is less, but weighs the same. This is not going.
Other:
TORPE!
"This is lighter: 470 grams ... but it is still almost half a kilo. Let's find another
:
distracted!
- Ah! It barely weighs 100 grams. Not wrong.
Mr. Medina then used it ... and that was useless hereinafter was happy, thinking it was a hopelessly useless, but just a friendly "distracted."
And Mr. Medina also was happy because everyone thought well of him, held him by a sympathetic type who knew how to treat people with courtesy.
Many admired him for his calm, wisdom and kindness. Of course, nobody knew about the tape and the balance, one in the right pocket, the other on the left. And Mr. Medina, who did not need them out, talking to people with hands in pockets, always measuring and weighing, and earning respect and sympathy of all.
always taking into account the weight and measure, changed "lazy" and "groggy," he said "nasty" instead of "gross" and "carelessness" rather than "dirt." There were long and light words that were always preferable to others that although they were short, they were too heavy.
A day that had nothing to do, Mr. Medina was made very carefully and review your chosen vocabulary and noticed something that, until now, had not noticed: the color of words. He noted that all words used by him were gray. Light gray, dark gray, grayed, grayish. Words were all gray.
And he realized something else: the words were not input gray: it turned gray.
warned that Gray did not blow: they were turning gray.
And finally noticed that I was going gray as the measured, as the heavy.
For example, a red word was turning orange, then yellow and finally blue grisecita ... A word is put blue, pearl white, ash gray, gray.
As always had a problem with that thinking, Mr. Medina went for a walk around the neighborhood. As I was distracted by his thoughts, stepped into the street just as the lights changed to red and a truck driver shouted an expletive long, cumbersome and the same color as the traffic light. When Mr. Medina
rang him the word red in the brain. He had spoken. And he was speechless muttering "insolent" ... "bocasucia", "rude" ... all words livianitas and decidedly gray.
He walked and saw in front of him moving in the opposite direction, a girl with long hair and waving glittering in the sun. The girl was walking funny and fiery eyes beneath a thick eyelashes.
Al crossed with Mr. Medina, Miss narrowed eyelids. His heart jumped and even dared to say the words you chose: "linda", "beautiful." "Precious." Mr. Medina was
red. It seems that none of those words was enough gray.
But another gentleman, who also came down the sidewalk, he said to Miss a word of a blue so intense that she gave him a clear smile can melt a tile. But neither the tile nor Mr. Medina is melted because the smile was not for them. It was for the gentleman who said the word blue.
To make matters worse, a boy held in Place a discussion of all colors become a bad goal ... so they came to the cones and the other eye was left with violet.
top, a little girl running from her mother's hand, takes a fancy to buy the pochoclero and kicking. In the tears you were rainbow and there were so many and so large that it was clear that the baby not measured, nor weighed nothing. Just came out. As I came out just kisses and cuddles to couples who seemed to flourish, like the beds in full color.
Something was definitely wrong for Mr. Medina, and sat in the corner bar, a sidewalk table in the coffee. While waiting to boy began to listen carefully to people passing by. Some spoke in green, purple, yellow, others talked in orange, in French blue, pink.
The only ones talking in gray were those who walked with his hands in his pockets and then Mr. Medina suspected that was what kept them. The only ones talking in gray were measuring.
He took one sip of coffee. The right pocket pulled out the tape measure, pulled out the left pocket balancita, placed on the table and left the waiter a tip.
got up and deliberate pace, headed for the nearest point. He found, in the middle, the statue of who knows whom. He climbed the monument, as high as he could and began to scream with all my heart a lot of words of bright color. They were words long, medium and cortitos, heavy and light. Mr. Medina and had no means with which to measure them and weigh them. So the screaming no idea of \u200b\u200bits weight and length, so the words came out of all colors. Snake in the air with phosphorescent flashes, streamers in the manner of crazy, and some even had sparkles like fireworks. Of course, none was gray.
People began to gather to see and hear the show. People laughed, until WILL KNOW WHO (the the statue) was laughing ... and never stopped.
was not for less! That was an endless litany of excessive words.
Monday, April 18, 2011
Bulma Aus Dragonball Nackt Games
small green salad with pasta (like attending a surprise visit)
Another thing I learned as a new mother is that you must always have basic things in the fridge to prepare an impromptu meal. So I take the few times that I have free and cook basic things I can keep for days or freeze (pasta, sauce bases, stews).
This weekend we went we had to organize a meal at full speed, a call that says we are on the way and nothing touches improvise. Fortunately it was warm and the guests were of little to eat so we prepared a salad and snacking artisan cheese and vegetable pies.
Green salad with pasta
Ingredients
- 1 lettuce 1 fresh chives
- Tuna Macaroni
- crab sticks grated carrot grated
- Celery Boiled Egg
- virgin olive oil Balsamic vinegar
- bianco white balsamic cream
Development
The key to this salad come out wonderfully both the lettuce and the onions were recently brought from the garden of my father. On this basis it was impossible to go wrong.
First refreshed and clean the lettuce leaves in cold water, drained and cut into julienne strips. We place it in a bowl. Clean and cut green onion as the scatter over the lettuce. We will put the macaroni on this basis (in my case was simply boiled with water in the fridge) and salaremos. Would also normally tomato but since one of the people coming to eat is allergic.
Then simply add the chopped stick, crumbled tuna and grated carrot and celery. Cut the boiled eggs and place them a little decorating.
Finally dressed with olive oil and aceto bianco. White balsamic cream will fall upon the hard-boiled egg and lightly over the salad to serve. This cream is translucent but gives lots of shine.
and completed the meal with vegetable pates artisans of eggplant, mushrooms, green olives and ratatouille and artisan cheeses also Maestrazgo area (a terrific goat cheese with mushrooms). All purchased in the posts that are positioned to San Jorge. Ahhh, a good bread and good wine to accompany.
the end everything went great, the small allowed me to eat and enjoy the company that threw a minisiestecilla. Now I leave that cries out for me from his crib.
Saturday, April 16, 2011
Images Of Baby Dropping During Pregnancy
Zodiack - RapXbeats
E INSTRUMENTAL REMIX ALBUM FREE USE
BY
Talca
E INSTRUMENTAL REMIX ALBUM FREE USE BY
Zodiack.
RapXBeats
LIST OF ITEMS
1 - Intro
2 - Todosfordahephap I Laceldadebob
3 - What are you Jakt I Bascur ft Massib
I o4-Bombo Clap
Kase o5-Movie clear I Kompania XL
6 - all star
Talca
7 - What's in a name I Gran Rah
8 - Quake I Akileskillz
9 - Sitting in the Arena I Chyste
mc 10 - Instrumental I rant
Mia 11 - all star Santiago
12 - All in Check Busta Rhymes I (by Dohz)
13 - Your word against mine I Massibo ft Lor dirty (Bonus)
INTRUMENTALESPARA INCLUDING FREE USE ALL.
Zodiack: MC and beatmaker talquinas Kompania group XL, contributed with music to various national and massibo mc's, omega, basek and more. Now presents the first remix album and instrumental free use of chile. hopefully you will enjoy it.
Subscribe to:
Posts (Atom)